Thursday, October 24, 2013

"Education is what remains after one has forgotten what one has learned in school."

One of the most common, and appropriate, metaphors for satire is a mirror. The satirist holds the mirror up to whatever facet of society he or she is choosing to target, and points out the flaws, follies, and corruptions that exist there. As the target looks at the mirror, being constantly told of the flaws that exist on its metaphorical face, the target is driven to change, and to fix whatever is wrong with it. Satire as an instrument for societal change is very effective, and serves the purpose of exposing the blemish and changing society by exposing ill.

The toolbox of the satirist overfloweth with methods of revelation to the target. One of the most commonly used is exaggerated imitation, when the satirist adopts the character: the beliefs, the logic, and the reasoning of the target, and augments them to a level that is so extreme that the premise is dismissed at first as ridiculous, but then is realized to be alluding to the more moderate and actual folly of the target, exposing it. A Modest Proposal is nothing if not a giant exaggeration of the British's horrible treatment and oppression of the Irish. "A young healthy child well nursed is at a year old is a most delicious, nourishing, and wholesome food... may, at a year old, be offered in the sale to the persons of good quality and fortune... to render them plump and fat for a good table" (Swift 3). Swift suggests that the elite of the British eat the babies of the Irish lower class in order to lesson the large number of impoverished youth in the society, as well as to provide a new food source. This proposal (deemed "modest" by Swift himself) is of course only to be taken with absolute horror and disgust. But then Swift's undeniable logic comes to light, and one can recognize it as an only slightly more extreme version of the logic the British protestants use constantly to justify their exploitation of the Irish, and the realization of the terrible treatment of the Irish is exposed. "I think the advantages by the proposal which I have made are obvious and many... the poorer tenants will have something valuable of their own... their corn and cattle being already seized, and money a thing unknown" (Swift 6). Swift uses this excuse, of giving them material wealth and an economic boost, to justify the taking and consumption of the Irish children, while at the same time reminding the readers, the targets (the elite British class) that they have already treated the Irish like animals, that they have taken away the food and wealth from the Irish and left them with nothing without so much as a smidgen of remorse. 

A tool also used by Swift is wit. This tool is basically the crafty, knife-tongued manner in which a satirist goes about his or her case. "I can think of one objection... that will possibly be raised against this proposal... that the number of people will be thereby much lessoned in the kingdom." (Swift 8). This is a great example of wit because Swift's argument is so beautifully cunning and wily. Swift takes an objection that he believes will be prominent - or at least that he 'believes' on a literal level, at a deeper level obviously he doesn't think that will be the ONLY objection - the whole eating babies thing is pretty objectionable - and retaliates to it, defending it with an air and style only achievable by the most devious and canny of authors. He goes on to say, in defense against the objection, "this I freely own, and 'twas indeed one principal design" (Swift 8). He says that he meant this aspect to be a part of the plan, and that any objections that may be raised are only facets of the plan the unintelligent reader, the target, has yet to see. He takes whatever argument can be thought of and throws it out the window before it is even presented. But it's not just how he deviously defends against this 'objection', it's that he is also mocking those that take out of consideration any arguments against their cause before they are even put into consideration, if they are at all.

Another common tool of the all-powerful satirist is plain, good old scathing mockery and sarcasm. To take an example a little more modern than 18th century Ireland, in Family Guy- Undecided Voters, Brian declares to Lois at an electoral debate "Undecided voters are the biggest idiots on the planet" (Family Guy). There really aren't that many layers to that statement. It is just a nice, straightforward mockery of undecided voters, calling them stupid. Now on its own, this is not a very effective satirical method, and instead of solving some flaw of society may result in a massive conflict between the targets and the satirist's demographic. But combined with the exaggerated showcase that comes later in the clip, of the undecided voters eating up and falling for short, simple, completely nonsensical answers. It exposes the fact that while undecided voters might not be legitimately unintelligent, but they do like the candidate they'd "like to have a beer with"(Family Guy) rather than the candidate that actually has a better platform and is a better person for the job. The straightforward mockery takes the exposed ill directly to the face of the target, without underlying layers or complicated verbal irony. It points out the ill, or at least some result or characteristic of it, and then (hopefully - assuming the satirist is at least moderately proficient) explains why, using some other method, and then allows the target to fix the ill and prove wrong the mockery.

Satire is a tool. Sure, it is a tool for entertainment; a pastime and a hobby, maybe even a job or money-maker. It even is a tool one can use to put their makeup on. But first and foremost satire is a tool, molded by other tools, for the changing of the world. It is used to point to and expose the wrongs of society and the world; it can show the folly, and can aid in the repair of the flaw and the betterment of society. The mirror the satirist holds is full of idiocy, always filled to the brim with wrong that the satirist can attack. But all the wrong is pointed out only if it can be fixed, only if the underlying intention of the satirist is to help mend. And so in that way satire exists as a tool for help, and will continue as long as there exists imbecility in society, which is as long as society is the product of humanity.


Saturday, October 12, 2013

The best example of satire we had was probably Family Guy - Undecided Voters. i love that clip. Literally, the clip is saying that undecided voters are very stupid, and respond extraordinarily well to pointless answers about 9/11, and jesus, and stuff like that. It is actually revealing a very deep and characteristic part of American politics. Voters don't seem to actually care about the views of politicians, they care about friendliness, charm, a good smile, They respond to the "hang-out-able-ness" of politicians. They like the sound of someone's voice, they vote for them. It's terrible - it means the politicians elected to office are not those that will do the best job for the country, they are those with the charm to manipulate the masses. It is a very eye-opening clip.

Monday, October 7, 2013

"Satire is a sort of glass, wherein beholders do generally discover everybody's face but their own."

Jonathan Swift was born on November 30, 1667. He received a bachelor's degree from Trinity College (http://www.biography.com/people/jonathan-swift-9500342 biography.com). He received a Master's from Oxford in 1692. He was ordained a priest in the Church of Ireland (a sect of the Anglican church in Ireland) in 1695 and was awarded a D.D. from Dublin University in 1701.  (http://www.victorianweb.org/previctorian/swift/chron.html A Chronology of Jonathan Swift's Life by David Cody). 

"There is an almost complete absence of sustained scholarship on the subject of Swift's Modest Proposal." (George Wittkowsky, via eNotes.com Jonathan Swift essay)


"Satire is a sort of glass, wherein beholders do generally discover everybody's face but their own."(Jonathan Swift, via BrainyQuote.com)

Thursday, October 3, 2013

"Two things are infinite: the universe and human stupidity; and I'm not sure about the the universe."

Human stupidity is definitely a common theme in satire. This is a 3-part series by John Oliver, as featured on The Daily Show. It focuses on the US gun control debate following the failure of mild legislation in . Oliver does some investigating around the Australian gun control legislation passed in 1996. 
In part 1, he interviews a strong gun advocate and Virginia Defense League lobbyist member Phillip Van Cleave. During the interview, his slightly sarcastic, demeaning, scathing manner is unnoticed by Van Cleave, and he answers the questions in exactly the way Oliver expects, his ultimate reason behind not supporting the legislation being that it doesn't work. And so, Oliver's sarcastic and subtly scathing answer brings us to Australia. There he interviews various politicians in a character mocking Van Cleave, full of absolutely dreadful logic, he asks questions of the Australian politicians about, all the while insisting that the legislation didn't work, but being told otherwise, he then brings the questions back to Van Cleave and scathingly presents to him the statistics. And of course, there's a small amount of mocking Australians. In part 2, Oliver interviews Harry Reid's aid Jim Manley, and Manley, saying that what's most important for politicians is to be re-elected, then sparks Oliver's newest mocking-point. He returns to the Australian politicians under the character of Manley, stating that political suicide is the most tragic thing, and that the most important thing is just being in office and being re-elected to office rather than actually helping people. He even goes so far as to build a memorial to those that committed "political suicide" on the day the legislation is passed. In part 3, Oliver returns to Phillip Van Cleave, and the conversation turns to the similarities with Australia that America has. Van Cleave says none, and Oliver responds with a scathing remark of exactly how America and Australia are frighteningly alike, sarcastically masking it as how they are different, and Van Cleave, unaware of how he's being mocked, nods in agreement. Then Oliver returns to Australia and asks them about the similarities of the US and Australia, comparing the similar arguments against gun control that Australians then and Americans now are presenting. He asks people if not being under the risk of getting shot in the face is worth not having guns, and everyone says yeah, it's worth it. He even goes to an ex-anti gun control advocate, still in the character of we all need guns and gun control won't work, and the ex-advocate says that he's actually become ok with the legislation over the years. Oliver, or at least Oliver's character, is flummoxed, and mocking the Australian way of life, goes on a "classic Australian retreat" where he meets a "kangaroo" and becomes a karate master. So, overall just a lot of mocking pro-gun advocates and a little of mocking Aussies.
Part 1:
Part 2:
Part 3: